BACKPrize-winner Bourse Révélation Emerige, Paris, France
Artists
BIOGRAPHY
Born in 1989 in Marseille (France). Lives and works in Paris. His work demonstrates a formal research of a political and environmental harmony, from which the human would be the catalyst. Edgar Sarin has been noticed for his work on generating ruins and for his reconsideration of the exhibition space. He established, some years ago, that the spectator should be considered from the moment he stops being one, joining thereby a Mediterranean legacy of the artwork’s concept.
Thus, his pieces are developed by porosity with the environment. He stands for an approach that enhances the learning of the world and materials – a reasoned form of the creative gesture – that he develops in a plural and precise sculptural corpus. In 2016, Edgar Sarin received the Revelations Emerige prize, an event for which Michel Rein gallery was partner.
Edgar Sarin’s work has been exhibited at Collège des Bernardins (Paris), Centre de Création Contemporaine Olivier Debré (CCCOD) during Nuit Blanche 2018, and at Konrad Fischer Galerie (Berlin). Edgar Sarin is also the founder of the exhibition oriented group La Méditerranée. With the painter Mateo Revillo, he undertakes a series of publications whose first volume Un titanic, reprise will be published by Editions Dilecta.
Awards
- 2016
Public Collections
CCCOD, Tours, France
Vestfossen Kunstlaboratorium, Vestfossen, Norvège
Fonds de dotation Emerige, Paris, France
EXHIBITIONS
- SOLO SHOWS2023
Objectif : société (variations goldberg), Le Grand Café, Saint-Nazaire, FR.
Subterranean Homesick Blues, 91.530 LE MARAIS, Le Val-Saint-Germain, FR.
- 2022
100 peintures, Forma, Paris, FR.
Bonheur de vivre, Forma, Paris, FR.
Rubber soul, Michel Rein, Brussels, BE.
- 2021
Sans Relâche, Monnaie de Paris, Paris, FR.
Victoires (suite), Michel Rein, Paris, FR.
Objectif : société, Centre d’Art Contemporain Chanot, Clamart, FR.
- 2019
Nouvelles oeuvres, Michel Rein, Brussels, BE.
- 2018
UN TITANIC, REPRISE, Nuit Blanche (with Mateo Revillo), Paris, FR.
- 2017
Dans son cou la main d’une mère, Michel Rein, Paris, FR.
Un minuit que jamais le regard, là, ne trouble, Collège des Bermadins, Paris, FR.
Hierarchisch angeordnete Edelgesteine, dreizehn, Centre de Création Contemporaine
Olivier Debrès, Tours, FR.Edgar Sarin, Konrad Fischer, Berlin, DE.
- 2015
Quelqu’x sur son lit de mort, Cercle de La Horla, Paris, FR.
- 2014
Introduction à l’entité problématique, Inlassable Galerie, Paris, France The Miraculous Cocoon, Inlassable Galerie, New York, NY, USA.
- GROUP SHOWS2023
L’île intérieure, Fondation Carmignac, Île de Porquerolles, FR.
- 2022
The Shortest Way to Happiness, Givon Art Forum, Tel Aviv, IL.
- 2021
Avalanche, (cur. Andy Rankin et Nelson Pernisco), pal project, Paris, FR.
The first Meal, (cur. Yvannoé Kruger et Marilou Thiébault), Poush, Clichy, FR.
Napoléon ? Encore !, (cur. Eric de Chassey et Julien Voinot), Musée de l’Armée, Paris, FR.
- 2020
Picabia/ Revillo/ Safa/ Sarin, (cur. La Méditerrannée), Clichy, FR.
Grand Final, (cur. La Méditerranée, Gaël Charbeau et Yvannoé Kruger) POUSH, Clichy, FR.
Programme Spécial, (cur. La Méditerranée, Gaël Charbeau et Yvannoé Kruger) POUSH, Clichy, FR.
Oh les beaux jours (Happy Days), Michel Rein, Paris, FR.
(ON A PEDESTAL): to greatly value someone or something, Michel Rein, Brussels, BE.
- 2019
L’effet falaise, Révélations Emerige, espace Voltaire, Paris, FR.
Pavillon MMXX, (cur. by André Chami) Beirut Digital District, TR.
- 2018
Un Titanic Reprise, Nuit Blanche, (cur. Gaël Charbau), Paris, FR.
- 2017
Cercle de la Horla, (cur. Edgar Sarin) Paris, FR.
Private Choice, Paris, FR.
Chapitre troisième : *, Cercle de La Horla, New York, NY, USA.
- 2016
ART IS HOPE – Link -, Perrotin, Paris, FR.
Une inconnue d’avance, Bourse Révélation EMERIGE, Paris, FR.
Chapitre deuxième : The 67th Evidence, Cercle de La Horla, New York, NY, USA.
Entité de spéculation autonome, Cercle de La Horla, Paris, FR.
- 2015
Chapitre premier : Des Absents, Cercle de La Horla, Paris, FR.
{647912}, Inlassable Galerie, New York, NY, USA.
